I began photographing at night without any real intentions. It was simply the only time I had available most days to take my camera for long walks and beat back the anxieties of the day.
As I wandered the nightscape I became fascinated with the utilitarian lights of the city, the way they shape a mundane daylight scene into something sometimes beautiful, sometimes sinister, sometimes confusing.
These places draw me in and I immerse myself in a vivid tableaux, a color-drenched neo-noir film, tangled up in melancholy and mystery and something gone wrong.
